
Jean-Michel Basquiat (December 22, 1960 - August 12, 1988) was an American artist. He gained popularity first as a graffiti artist in New York City, and then as a successful 1980s-era Neo-expressionist artist.
Basquiat's paintings continue to influence modern day artists and command high prices.Basquiat was born in Brooklyn, New York City in 1960. His mother, Matilde, was Puerto Rican and his father, Gerard Basquiat is of Haitian origin and a former Haitian Minister of the Interior. Because of his parents' nationalities, Basquiat was fluent in French, Spanish, and English and often read Symbolist poetry, mythology, history and medical texts, particularly Gray's Anatomy in those languages.[1] At an early age, Basquiat displayed an aptitude for art and was encouraged by his mother to draw, paint, and to participate in other art-related activities.
In 1977, when he was 17, Basquiat and his friend Al Diaz started spray-painting graffiti art on slum buildings in lower Manhattan, adding the infamous signature of "SAMO" or "SAMO shit" (i.e., "same ol' shit"). The graphics were pithy messages such as "Plush safe he think; SAMO" and "SAMO is an escape clause". In December 1978, the Village Voice published an article about the writings.[2] The SAMO project ended with the epitaph SAMO IS DEAD written on the walls of SoHo buildings.
Basquiat was born in Brooklyn, New York City in 1960.

His mother, Matilde, was Puerto Rican and his father, Gerard Basquiat is of Haitian origin and a former Haitian Minister of the Interior. Because of his parents' nationalities, Basquiat was fluent in French, Spanish, and English and often read Symbolist poetry, mythology, history and medical texts, particularly Gray's Anatomy in those languages.[1] At an early age, Basquiat displayed an aptitude for art and was encouraged by his mother to draw, paint, and to participate in other art-related activities. In 1977, when he was 17, Basquiat and his friend Al Diaz started spray-painting graffiti art on slum buildings in lower Manhattan, adding the infamous signature of "SAMO" or "SAMO shit" (i.e., "same ol' shit"). The graphics were pithy messages such as "Plush safe he think; SAMO" and "SAMO is an escape clause". In December 1978, the Village Voice published an article about the writings.[2] The SAMO project ended with the epitaph SAMO IS DEAD written on the walls of SoHo buildings.